Sigma 18 35 f1 8 sony12/6/2023 But if you are interested, you can check out the specs below, as well as I’m sure keep your eyes online as there will undoubtedly be plenty of review videos and case studies coming out soon. And in reality, while you should obviously check your own budgets and plan accordingly, lenses like these should be better investments than your similarly-priced cameras as they’ll honestly last longer - both from a durability perspective as as well as a less-likely to become outdated by the next year. But as we’ve seen with other similar lenses with such a low aperture, these capabilities often come at a price. This full-frame zoom is available to pre-order now and is launching at a $2,999.00 price point. ng kính Sigma 18-35mm f/1.8 DC HSM là mt phn ca dòng ngh thut Sigma, xét thy rt phù hp vi hình nh sáng to làm do ln, khu ti a f/1. While just announced, Canon has confirmed that the RF 24-105mm f/2.8 L IS USM Z (along with its concurrent other lenses) will be available to ship starting in mid-December. It's available in various mounts from Canon and Nikon to Pentax and Sony Alpha. You can pick up the Sigma 18-35 f/1.8 over at B&H for $800. Other than that, the 18-35 seems like a no-brainer for videographers and filmmakers alike, and it looks like it would be the perfect companion for the BMCC when coupled with a wide angle zoom and a telephoto zoom. The only thing holding me back from pulling the trigger on this lens is the fact that it could prove difficult to adapt the lens to various camera systems due to the electronically controlled aperture. Additionally, considering the fact that the travel distance between minimum focus and infinity is longer than most photo-style lenses, the 18-35 is uniquely suited for use with a follow focus. With the additional stop and a half of light that you can get over other zooms (most of which are rated at f/2.8 or higher), folks who are shooting in available light or low light will flock to this lens. ![]() In my eyes, this lens was absolutely designed with DSLR videographers and low-budget filmmakers in mind. ![]() Additionally, the 9 blade aperture on the 18-35 produces extremely smooth and creamy bokeh.Īnd here's an in-depth review from : While it doesn't appear that the lens is truly parfocal, as we had believed it was from prior tests, the 18-35 still outperforms all other zooms in this price range - as well as many others costing twice as much. In the second video, Nanto tests whether or not the lens is parfocal (maintaining focus throughout the zoom range), as well as the quality of the bokeh: ![]() In the first one, we see some stellar footage from the 18-35 mounted on a BMCC (with motion from a Kessler CineDrive system): Check out some of the stellar reviews and footage from the 18-35 below.įirst, here are a couple of videos from Aaron Nanto. Tamron 18-400mm F/3.5-6.3 DI-II VC HLD All-In-One Zoom For Nikon APS-C Digital SLR Cameras (6 Year Limited USA Warranty) 4.6 out of 5 stars 518 Sigma 17-50mm f/2. Now that the 18-35 has been shipping for upwards of a month, and the community has had ample opportunity to test and review the lens, it seems clear that Sigma has hit a grand slam, especially for videographers and low-budget filmmakers. Since it was announced back at NAB in April, the lens has generated quite a bit of buzz (especially when the $800 price was revealed). An Olympus and Canon shooter, he has a wealth of knowledge on cameras of all makes – and a fondness for vintage lenses and instant cameras.We've talked about Sigma's new 18-35mm f/1.8 several times before here at No Film School. This has led him to being a go-to expert for camera and lens reviews, photo and lighting tutorials, as well as industry news, rumors and analysis for publications like Digital Camera Magazine, PhotoPlus: The Canon Magazine, N-Photo: The Nikon Magazine, Digital Photographer and Professional Imagemaker, as well as hosting workshops and talks at The Photography Show. He also serves as a judge for the Red Bull Illume Photo Contest. ![]() In this time he shot for clients like Aston Martin Racing, Elinchrom and L'Oréal, in addition to shooting campaigns and product testing for Olympus, and providing training for professionals. The editor of Digital Camera World, James has 21 years experience as a journalist and started working in the photographic industry in 2014 (as an assistant to Damian McGillicuddy, who succeeded David Bailey as Principal Photographer for Olympus).
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